Group show
Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011
curated by Marcus Moore
26 July – 07 October 2012
Michael Parekowhai, My Sister My Self, 2006. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Maddie Leach, Chincoteague Skiff, 2006/7. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Julia Morison, Relics, 2011
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Adrian Hall, Bricks in Aspic, 1971. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Giovanni Intra, Golden Evenings, 1994. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Giovanni Intra, Golden Evenings, 1994. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Paul Cullen, Notational Drawing
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Marcel Duchamp, Boîte-en-valise Series D, Paris 1961. Collection of the Museum of New Zealand Te Papa Tongarewa, bequest of Judge Julius Isaacs, 1983-0032-250/A-Q to Q-Q. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Bruce Barber, Handgame (for Artists, Politicians, Egoists and Solipsists), 1974. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Len Lye, Roundhead, 1960-61. Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross
Installation view, Peripheral Relations: Marcel Duchamp and New Zealand Art 1960-2011, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2012. Photo: Robert Cross