Exterior gallery view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, from left: The Blue Lagoon, 2008; Francine, 2008; Rob and Harry, 2004, c-type photographs, collection of the artist. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, The Blue Lagoon, 2008, c-type photograph, collection of the artist. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, from left: Hips, 2011, pigment inkjet print; Beanie, 2011, pigment inkjet print, collection of Auckland Art Gallery Toi o Tāmaki. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, Miss Amituanai, 2005, c-type photograph, collection of Te Papa Tongarewa Museum of New Zealand, Wellington. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, Mr and Mrs Sagapolu, 2005, c-type photograph, collection of the artist. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, White Sunday, 2005, c-type photograph, collection of Auckland Art Gallery Toi o Tāmaki. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, Isaac with Dandelion on White Sunday, 2012, three pigment inkjet prints, collection of the artist. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Left: Edith Amituanai, Ioka's Fa'ali'i, 2004, c-type photograph; Right: Shiloh Amituanai, Hoodstunnaz, 2019, hand-drawn digital wallpaper print, collection of the artist. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Shiloh Amituanai, Hoodstunnaz (detail), 2019, hand-drawn digital wallpaper print, collection of the artist. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, from left: Ioka, 2004, c-type photograph, collection of University of Auckland; Ioka’s Fa’ali’i, 2004, c-type photograph. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Edith Amituanai, from left: Picnic with Starling, 2016; Sio walks the line, 2015, pigment inkjet prints. Installation view, Edith Amituanai: Double Take, curated by Ane Tonga, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews