Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, LA Botanical series, 2006-2007, wet plate collodion on glass. Collection of the artist. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, LA Botanical series, 2006-2007, wet plate collodion on glass. Collection of the artist. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, As It Falls, 2004-2019, resin coated gelatin silver photographs. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Ghost Scrub, 2018, three-channel digital video transferred from 16 mm film, black and white, sound. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Flight Dream, 2014, single channel digital video installation, colour, sound by Peter Kolovos and narration by Andrew Maxwell from a story by Mark von Schlegell. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Flight Dream, 2014, single channel digital video installation, colour, sound by Peter Kolovos and narration by Andrew Maxwell from a story by Mark von Schlegell. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Lone Tree, Whakapunake, 2013, gelatin silver photograph from the Te Taniwha series. Courtesy of the artist and Richard Niania

Joyce Campbell, At Papuni (Where the Infant Taniwha Suckled on Kohuwai), 2015, gelatin silver photograph from the Te Taniwha series. Courtesy of the artist and Richard Niania

Joyce Campbell, The Roto, 2010, gelatin silver photograph from the Te Taniwha series. Courtesy of the artist and Richard Niania

Joyce Campbell, Company Stream, 2017, digital video, colour, sound by Jonathan Behar, Colleen Brennan and Joyce Campbell. Commissioned by Circuit Artist Film and Video Aotearoa New Zealand, 2017. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Last Light Antarctica, 2006, Becquerel daguerreotypes. Collection of the artist. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington. Photo: Shaun Matthews

Joyce Campbell, Hosting, 1998, Ilfochrome photograms from microbial sample and agar medium on Plexiglass plates. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view of Taniwha I-IV, VII, 2010, gelatin silver photographs. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Taniwha V, 2010, gelatin silver photographs from the Te Taniwha series. Courtesy of the artist, Richard Niania, and Nadene Milne Gallery, Arrowtown and Christchurch

Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Installation view of To the Wash series, 2014, inkjet print on paper. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, Raven, 2014, inkjet print on paper. Courtesy of the artist

Joyce Campbell, As It Falls, 2004-2019, resin coated gelatin silver photograph. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, The Reef, 2018, digital video transferred from 16 mm film, colour, sound. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews

Joyce Campbell, As It Falls, 2004-2019, resin coated gelatin silver photograph. Installation view, On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews