ngā kupu whakamahuki nā Richard Niania. Photographs by Joyce Campbell
26 July – 20 October 2019
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Joyce Campbell, pages from notebook by Te Kooti Arikirangi Te Turuki (detail), colour photograph, 2019. Courtesy of the artist and Richard Niania
Joyce Campbell, pages from notebook by Te Kooti Arikirangi Te Turuki (detail), colour photograph, 2019. Courtesy of the artist and Richard Niania
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews
Installation view, Te Taniwha: The Manuscript of Ārikirangi, Ngā kupu whakamahuki nā Richard Niania, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2019. Photo: Shaun Matthews