Kim Pieters
what is a life?
curated by Christina Barton
26 May – 21 September 2014
what is a life? brought together paintings, drawings, photographs, and moving-image soundscapes by artist Kim Pieters (b. 1959). Surveying her output since 2007, it focused on the range of works she has been producing in and from her inner harbour studio in central Dunedin.
To ask the question ‘what is a life?’ is to test the deepest purposes of being an artist. For Pieters, this is a necessary interrogation that informs her engagement with material reality. Informed by her readings in philosophy, poetry, literature, and history she explores the space between her life world and the conscious processes that grant meaning to the facts of living. Her resulting art works are improvisatory and open-ended. They require responses that are together mental, perceptual, and sensuous, and posit answers to the ‘big’ question that sit alongside empirical, metaphysical, or logical ways of knowing.
Since 1993, Kim Pieters has lived and worked in Dunedin, where she is an integral figure in the art and experimental music scenes. For more than two decades, her paintings and drawings have been included in exhibitions throughout New Zealand and, through the 1990s, she was known for her bass playing and vocals in underground ensembles such as Dadamah, Rain, Flies inside the Sun, Pieters/Russell/Stapleton, DoraMaar and Sleep. In performance, these often featured Pieters’ moving-image projections. With musician, writer and curator, Peter Stapleton, she founded the Metonymic music label and, in 2000, began the Dunedin experimental music festival ‘Lines of Flight’.
This exhibition was the first to bring together the full range of Pieters’ practice and her first survey in a public institution.
The exhibition launched on Tuesday 27 May with a unique performance by Eye, a trio of experimental musicians—Peter Stapleton, Peter Porteous, and Jon Chapman—all with long histories of involvement in New Zealand underground music. Their performance of improvised psychedelic drones was accompanied by Kim Pieters’ projected film.
This exhibition was staged concurrently with RELOAD.
Kim Pieters, Halo, 2010, digital video, audio by Edie Stevens. Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Kim Pieters, …to walk horizontally along the edge of a word, blinded by sun, to forget what was seen, and what there is, and beneath heel, to gather the fiction of a hill, 2011. Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Kim Pieters, ‘letting the days go by’, from the ‘arbitrary knowledges’ series 2013, mixed media on board, 600 x 820mm, private collection, Dunedin © Kim Pieters
Installation view, what is a life?, Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington, 2014. Photo: Shaun Waugh
Kim Pieters, Magnet 2009, digital video, 00:56:15mins, audio by SEHT from ‘the green morning’ CD (Digitalis, 2006) © Kim Pieters
Eye in performance, Dunedin Public Art Gallery. Photo:Peter Stapleton