Published 2019 by Te Pātaka Toi Adam Art Gallery at Te Herenga Waka—Victoria University of Wellington
2019
141 pages
280mm x 220mm, softcover, colour illustrations
Essays by Ane Tonga, Anna Miles, Haruhiko Sameshima, Niko Besnier, Christina Barton
Edited by Christina Barton

This publication, and the exhibition it accompanied, was the first to survey Edith Amituanai’s photographic practice. In images spanning 2003 to the present, Amituanai shared her experiences of life as a first-generation New Zealand-born Sāmoan, presenting portraits of people and places from her home in Ranui, West Auckland to her homeland of Sāmoa, to the scattered sites of Pacific diaspora from Christchurch, New Zealand to Montpellier, France, and Anchorage, Alaska. These prove her empathy and engagement, confounding photography’s reputation as an organ of control and objectification. In this volume, Haruhiko Sameshima calls Amituanai a ‘village photographer’. This term aptly captures her commitment to record events and occasions as an embedded chronicler working for her community; it also encompasses the notion that hers is a global village connected by her lens and through her ready embrace of social media. The images brought together speak to the multiple realities that exist both here and across the world that expand our presumptions about who ‘we’ in Aotearoa are and what constitutes ‘home’.

In 2020, the Art Association of Australia & New Zealand awarded the author Ane Tonga as the Best Pasifika writer for her contribution to this publication in the AAANZ Writing & Publishing Awards